Dame Jenni Murray passed away in England this week and, although we were not close, she was someone I liked and admired. I met her about 15 years ago, when Cagney & Lacey superfan Jackie Danson put together a British Film Institute celebration/retrospective of my series.
Dame Jenni
was the moderator that evening and did a simply fabulous job. It is on video …
somewhere. I know I have a copy in one of the overstocked cabinets in my living
room, but I did discover that you can easily see 12 minutes (of a much longer evening)
on YouTube using this link: https://youtu.be/_OQz7kHIhlg?si=oc2PS6cgrYRKV1yI
I took a peek
at it myself and… even though I was in my Orson Welles phase in terms of body
weight (sixty plus pounds more than today), I put my vanity aside, believing
this video excerpt is worthy enough to call to your attention.
It was a
great evening in London … sold out … with fans lined around the block hoping
for the release of some extra seats… somewhere. And, as I recall, those fans
stood in that line in the rain. A great night. Thank you, again, Jackie Danson
and… thanks and hail and farewell to Dame Jenni.
Did I ever
mention that Cagney & Lacey was more even popular in England than it
ever was in the U.S.? Not only did it play repeatedly for decades in the UK,
but when the BBC held its 50th anniversary celebration at a gala
which included members of the Royal Family, there were but two star/celebrities
from the USA invited: Sharon Gless and Tyne Daly. I was there, backstage, that
night when Paul McCartney asked Ms. Gless for her autograph.
Other than
that quick search for a link to Dame Jenni’s hosting of the BFI tribute, I have
been consumed… working 10 hour days doing the heavy lifting of proofing and
double-checking my memoir (Before and After Cagney & Lacey) before
giving approval to my publishers at McFarland & Company for release. It all
must be done, according to the good folks at my publishing house, by month’s
end; I am pressing on to make that deadline.
There is, as
a result, not a lot of time for casual motion picture or television viewing but
I did see the Oscars and thought Conan, the host, did a good job, and that the
producers of the evening did even better. I was pleased that, as a predictor of
what might or might not win, I had a pretty good night but found that I am
still in disbelief that, of all the contenders for best screenplay, the winner
was Sinners. Whatever arguable pluses the movie had, that screenplay was
not one of them.
On the few
occasions I plopped in front of my home screen, my first inclination was not to
be overly venturesome. I went to Netflix to return to Outlander to
finally complete season 7 of that series. There was a little too much of the
second-generation acting ensemble for my tastes. This is doubly negative as
their presence comes at the expense of screen-time featuring the two
exceptionally talented and attractive original leads. That said, the show is so
well done, such nice attention to detail, that except for that bit of a slip of
lazy casting, the show is close to perfection. Season 8 of Outlander,
including the show’s finale, is on Starz to which I do not subscribe;
so, as much as I am looking forward to the conclusion of the series, I will
wait for those final episodes of Outlander to join its preceding seven
seasons on Netflix.
I watched
one episode of The Gray House on Amazon Prime. You cannot pay me
to watch another. Terrible on-the-nose writing, mediocre cast, and pedestrian
direction. Not worthy of my time... or, I would suggest, yours.
The
Madison is a new
series from a writer I have come to admire, Taylor Sheridan ... although I am
not at all fond of his The Marshalls. Another matter altogether is The
Madison. It has the look that I have come to recognize in all of Sheridan’s
shows (Yellowstone and Landman as prime examples) and it has
Michelle Pfeiffer, Kurt Russell, and an interesting, attractive, and talented
group of supporting players along with Sheridan’s insightful character
development, plotting, and dialogue.
I have seen
four of the six episodes which are now streaming on Paramount + and…
while conceding it took me more minutes than I like to get with it… get with
it, I did. I will return for more episodes as time and Paramount + allows.
As to “time”
and “allowance” … McFarland Publishing House reminds that I must get back to
finishing Before and After Cagney & Lacey before any more TV or
movie excursions … or, for that matter, another flurry of words representing
more notes from my warm Island.
Soon, like
Cyberdyne Systems 101, “I’ll be back.”
Barney
Rosenzweig
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