The Rosenzweig/Gless household is awash in unwatched
screeners from The Academy of Motion Picture Arts and Sciences. Oh, we have
seen most of the major award winners but we haven't found time for the rest
because Sharon and I have binged our way through yet another fascinating season
of television including a new-to-us series by the name of Mr. Robot
The USA drama (already renewed for a second season which I
believe is scheduled to premiere very
soon now) has a wonderful cast, a very contemporary, well written concept , and
is invariably nicely directed. I am incredulous at how politically prescient
show runner Sam Esmail has proven to be and am knocked out by the freedom the
USA Cable channel has obviously allowed the show's creative team in every
aspect of this incredible production. I
watch and marvel at the fact that I used to spend time arguing with CBS
"standards and practices" execs for permission to dub in the sound of
a flushing toilet before Christine Cagney exited the commode in the 14th
precinct's women's room. Bravo Mr. Esmail, and kudos to every single member of
the cast. It is a ground breaking show.
Game of Thrones.
What more could possibly be written? A phenomenal show... a herculean task to
undertake. I am glad this season is over. I need the rest. Here is one new
thing (maybe): Just a personal observation but this is a show that I really
don't mind waiting a week to see between installments. It is almost too
dense... too rich... to binge. Maybe not. I have done it both ways and either
way the show delivers. And this season...
just when (especially during the hour long cameo by Deadwood star Ian McShane) I began to lose faith in this ultra
creative team, showrunners Benioff & Weiss bounced back with an epic
penultimate episode and then finished off the season in glorious fashion while
reminding us of all the joys we have to look forward to next year on HBO when
The Game will return.
Brain Dead. I have
seen the first three hour-long episodes and find it mildly amusing and leading
lady Mary Elizabeth someone I might come to believe can carry this wannabe
quirky new CBS series. Credit the
Network brain-trust with the good sense to try this out in the summer instead
of watching it flame out in a too competitive fall season. The Kings (Robert
& Michelle), who exited my great favorite, The Good Wife, to engage in this (by comparison rather fluffy piece)
must be having some remorse over maybe leaving a good thing too soon. At the
same time I have to believe... if they are getting any kind of freedom at all
in this project (which I suspect they are... given who they are) then they may
be having a good time with this too- close-to-the-truth spoof of our US
Government. It is just that this is closer to the Network's surprisingly good Supergirl than it is to MR. ROBOT and I am not sure that was
anyone's intent. Since Supergirl was referenced, Melissa
Benoist in the title role is magnificent and Calista Flockhart has almost as
much fun as the writing staff of this better-than-you-might think CBS series.
I would be remiss not to salute the recently gone-to-hiatus The Americans, which bowled me over
every single week of this past season. It is a show that is incredibly bold and
seems to get better with each passing year. I love the cast... every single one
of them... and am in awe of what has been pulled off by show runner Joe
Weisberg. I never imagined a Network (FX in this case) could so quickly follow
their own incredible Justified with another great drama, but they have.
Scandal on ABC
remains my guilty pleasure . It gets more and more over the top each season,
but they have me... and a vast audience... hooked. I would guess producing
phenom, Shonda Rhimes, thinks she can get away with anything at this point, and
maybe she can. I am eager for SHOWTIME to come back with new seasons of The Affair, which got better with each
episode over the past couple of years, and (of course) one of my all-time
favorites, Homeland. I even found
myself smiling at the prospect of the upcoming newly minted Donovan episodes ... but after
watching the first episodes I felt that
perhaps I had stayed too long with this particular cast of largely unsavory characters.
Tyne Daly's brother,
Tim, has found something to do on Television that uses his persona and
talents well. I like Madam Secretary
even though I was sure I would not. Tea Leoni is perfect in the title role and
I never woulda thunk it. In fact the only thing that didn't surprise me as to
how good this series would be was executive producer Barbara Hall. I tried for years, without
success, to seduce this talented writer into coming to work on Cagney & Lacey and/or The Trials of Rosie O'Neill. And why, you may ask, didn't I believe in Ms
Leoni? She is a wonderful actress and has done a lot of work I have applauded
in the past. Frankly I didn't think she would have the gravitas... (or age, for
that matter) to play the Secretary of State of the United States of America.
That is where Barbara Hall came through big time. When I saw that first
episode, the "back-story" created for the Leoni character, coupled
with her relationship with a former boss now occupying the White House... made
her character's appointment (and flair for the job) something that made total
sense. I only wish I liked the political part as well as much as I enjoy the
home life and male/female stuff between Daly and Leoni. That is grown up sexy,
warm and wise stuff for all of us to see in the comfort of our own living
rooms. The actors who play their kids are pretty great as well.
Manhattan. Have
you seen it? You should. It has recently been canceled after two seasons, but I
watch it enthusiastically (and happily pay the $2.99 for each episode on
Amazon). I understand you can also get it on Hulu. However you access it, it is
worth seeing. A largely unfamiliar (to me) cast brings great verisimilitude to
this period drama and how could they not... the attention to detail in
costuming and sets is extraordinary. This is not your typical Hollywood version
of the 1940s where every car is a classic in waiting, every woman is quaffed
and clothed perfectly, and every gent has an Errol Flynn hairpiece or a Clark
Gable mustache. This is the 40's the way I remember it looking in Montebello.
Even the food being consumed on screen has that overcooked monotone look to it.
With such attention to detail, the actors get to concentrate on getting their
words out and not bumping into furniture. They do that with alacrity and
Producer Sam Shaw has a succes d'estime for his resume. Sometimes that is even
better than just a plain old success... depends how old you are and your level
of patience, I guess. I know I will look forward to the next thing Mr. Shaw
brings to television.
I am told Better Call
Saul is even better than Breaking Bad,
from which it "spun." I haven't gotten around to it yet, but I
mention it lest you think it was forgotten by this blogger. You should see Mozart in the Jungle.... the second
season is even better than the very good first season... and the gal who plays
the lady with all those tattoos on Blindspot
(Jaime Alexander) just about makes this ordinary series worth watching despite
a less than interesting stable of actors in the other parts.
For a few young friends who missed it when it first ran, I
have been rescreening J.J. Abrams' fabulous Alias
with Jennifer Garner and former Rosenzweig alumni Ron Rifkin (The Trials of Rosie O'Neill) and Carl
Lumbly (Cagney & Lacey). If you,
too, are one of those who missed this... or, like me, loves a show with a
strong female lead, then this is still terrific television. And, if you are
going to research what you missed from any of the above then a visit to ON
DEMAND for Justified is not only
justified, but essential. HBOGO will deliver you Deadwood, which is still (arguably) overall, the best series ever
made for television. There are many more great shows... VEEP, True Detective
(both seasons... I don't agree with the naysayers regarding season two), The
West Wing, Downton Abbey. Modesty might preclude most from
mentioning their own shows, but not me and Cagney
& Lacey is out there (at least on DVDs) and The Trials of Rosie O'Neill will become available before year's
end. I just wouldn't feel right not mentioning them.
Barney Rosenzweig
July 13, 2016
2 comments:
Oh, Better Call Saul is at least every bit as good as Breaking Bad, and Breaking Bad was magnificent. Where Breaking Bad has that irresistible visceral appeal, BCS skulks loosely around that affection to win your heart with the humanity behind the backstories. The arc, so far, is flawless and the writing, is, of course, exquisite.
Having watched all available episodes of Better Call Saul, I'm currently watching season 1 of Cagney and Lacey after seeing the girls singing on the DNC. Still such a singularly iconic show. :) Cheers.
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